Why Would Need A Travel Camera?
Travel cameras tend to be compact, lightweight, extra-strong and very responsive. Travel photographers work on the move, and they often have literally a split second to capture the shot of a lifetime. This is why it’s essential that they have the best camera for travel – Image quality still needs to be high, too, so the camera needs to have a good number of megapixels. The camera has super quick autofocus, as well as good aperture range. But, perhaps just as importantly, the camera needs to be able to withstand the conditions under which the photographer is operating.
Because travel photography can take us to places where extreme weather is the norm, the best travel camera would be one that is waterproof, shockproof, freeze proof and so on. It needs to be tough without sacrificing compactness or quality, and it needs to be able to shoot in low lighting. A travel photographer would be advised to avoid lugging along a hefty DSLR on a trip. Bulkier cameras can be slower in terms of their response; they can be heavier and less simple to use. They might be perfect for portraits, but when you’re out and about, you want something to compliment the fluidity of your business. Travel photographers appreciate speed and response time. Here is a look at the best cameras for travel 2015:
Best Camera for Travel 2015
Unique to Fujifilm is their phase detection AF system. This means their cameras – including the X-E2 here – can autofocus at speeds of up to 0.08 seconds. One of the hindrances of outdoor photography is the fact that some of our best, most lucid shots suffer from being out of focus. The X-E2 sharpens your image rapidly, so that you don’t need to worry about missing out on that shot of a lifetime. This is ideal in situations where moments are transitory and fleeting, and it’s particularly useful in darkness, where accurate focusing can be hit and miss. With the intelligence of Fujifilm products, it’s always hit.
Fuijfilm are becoming well-known for producing cameras that please all kinds of people. Whether you’re a gadget fiend, who loves to play around with adjustable settings, changing and experimenting with film modes; a travel photographer who wants a camera that can withstand extreme conditions, bad weather and poor visibility; or whether you simply want to take quality photographs regardless of the array of options, settings and technical wizardry that comes with your camera, Fujifilm’s have something for everyone.
Here they have a camera that is jam-packed with more functions, options, modes and features than you can shake a stick at. But this doesn’t mean that it’s marketed only for the technical enthusiasts who love nothing more than experimenting and dissecting every little thing that a camera these days has to offer. If you can handle the fact that the X-E2 comes with a multitude of features that you won’t even use or get your head around, but still does what you want it to do – takes awesome photographs – then this one might just be for you. If you cut out all the technical finery – amazing as it is – at the end of the day, this camera will rarely be beaten for the quality of the images it takes.
Everything about it screams dedication and attention to detail from its makers. It’s a product made out of love by people who know what they’re doing inside out, and what they’ve come up with is a magic box, a clockwork toy of untold treasures, where every day is a chance to discover something new. It’s solid, sophisticated, intelligent, and rewarding. It gives you the chance to control literally everything. From the aperture to the shutter speed, to the bracketing and the exposure compensation, you have full control over how it all performs, thereby conforming it to your style of taking pictures. It comes with a 130 page manual that helps you to get your head around everything, thereby maximising its powerful potential – and boy, it certainly has a lot of potential.
Yet the great thing about the product is that the makers have designed it so that it looks unassuming. It comes with a slick, retro look that hides the almost geeky brilliance of what it offers. Its exterior is cool, understated, subtle; its interior brilliantly inventive, technically dazzling. Its a small, lightweight camera that can cope with low-light, rapid movement – and it can even shoot indoors without letting you down. The only downside, one could say, is that it doesn’t allow you to charge your battery in-camera. For a travel photographer, this is indeed a bit of a letdown, but its pro’s certainly compensate.
The clue is in the name with this one; Olympus’ TG-3 is as tough as they come. It’s built to be reliable under testing circumstances, and is waterproof to 15 m without housing. It’s shockproof to 2.1m, and can endure freezing conditions of up to -10 degrees Celsius. For this reason, it’s a magnificent companion on those tougher outdoor journeys, where the elements will be testing you and your equipment to the limits. It can capture beautiful under water images, snow-capped landscape scenery, and if you happen to fumble and drop it along the way, you can be sure that it will bounce back and be ready to go again.
There are reasons why some of us find it difficult to shoot in harsh weather conditions. Shooting on a bitterly cold winters day is effectively an endurance test, and for a lot of us it’s something of a worst nightmare. The extreme temperatures are often enough to put us off. But the appeal of shooting a snow setting is the promise of absolutely stunning, bewitching pictures that can come from it. So what we need is a camera that assists us, that helps us, that improves our experience as opposed to hampering it. Olympus believe they have come up with such a machine, and we’re inclined to agree.
Because what can make the experience worse for a photographer is a camera that comes with a myriad of settings and features that take a while to get ones head around. When your fingers feel like they are about to drop off due to the low temperatures, the last thing you want is to be fumbling around getting your settings just right. The Stylus T-G3 is user friendly and has an F.20 Hi-speed autofocus that helps you to work faster. With this camera, you have something that is easy to use, that works quickly, and which produces sublime image quality to boot. The simple controls, moreover, soon become intuitive, and once you’ve operated it a few times, using it will become a habit.
The product comes with a wide-angle lens that makes it perfect for landscapes, for capturing those once-in-a-lifetime marvels of nature that you’ll come across on your travels. It may not have the most powerful telephoto function, but it comes with an interchangeable lens system that is wide and fast, and which has a 16 mp sensor. It shoots extremely quickly, owing to the sizeable battery it carries, and you can easily revert from single shot mode to sequential mode. High speed mode 2 allows for 60 shots per second, which is pretty damn incredible. Furthermore, if you’ll be shooting under water, the TG-3 is one of the best waterproof cameras out there, being able to shoot at a depth of 15 m without housing. The images it produces rarely suffer from the colour filtering that water produces.
Overall, this camera is perfect for anyone who will be filming in the outdoors, near – or in – rivers, in harsh conditions, up mountains, and so on and so forth. It’s compact and light enough to carry around, and can resist the bump and scrapes that will destroy lesser cameras. It comes with a fairly expensive price tag, but for a small camera that combines toughness with superb image quality, you really can’t go wrong. It also comes with built-in Wi Fi and can be controlled remotely. A worthy contender for the title ‘best camera for travel’.
For those of us who shoot outdoors, and embark frequently on lengthy trips, travels and hikes, there are certain things we need from our cameras. Travel photographers need their camera to be:
More than this, though, they need their equipment to be high quality in terms of how it performs. Fujifilm’s X-T1 comes with the world’s fastest Real Time Viewfinder. It also boasts the world’s highest magnification ratio, and its 2.36m dot resolution OLED display offers a finely detailed view of what you’re shooting, something the company themselves are apt to describe as an ‘immersive shooting experience.’
From the way it looks, to the way it performs, to the way it’s built to endure hard knocks, Fujifilm’s latest offering certainly has more pro’s than con’s, and the anticipation that was building around its release can be best evidenced by the fact that a large number of camera aficiandos were practically begging to borrow one to test out for a few days. The result was that most were happy about what they working with. It has the look of a classic SLR, the performance of an X-Series camera, and the toughness of an ox.
Travel photographers work on the move. Because nature doesn’t slow down, or wait for a cue call, or a shout of ‘Action!’ before producing that moment of magic that we’d all love to capture on camera, a travel photographer needs a camera that works swiftly. Timing is everything. The X-T1 comes with the world’s fastest autofocus speed – 0.08 seconds to be exact – which results in just 0.05 seconds of shutter time lag. Due to the implementation of tracking AF, this model can shoot 8 frames per second so that you don’t miss out on that shot of a lifetime. It doesn’t stop there either; the data writing speed is double the speed of a conventional card, owing to the fact that the X-T1 is compatible with SXC UHS-11 format memory cards – the first model to be so. Moreover, the RealTime Viewfinder – which Fujifilm describe as revolutionary – has a display speed that is quicker than all other digital cameras.
Handling and Toughness
Being described as a ‘photographic tool’ is something travel photographers should get excited about. Whilst the breathtaking mechanisms inside this piece of finery are certainly far removed from anything we’d associated with a traditional tool, the way it handles makes you feel really in control. It comes with mechanical dials on the top plate, command dials on the front and rear, as well as customisable function buttons. It’s extremely functional and responsive, and it’s protected by a magnesium alloy shell that is solid and sturdy. Its body is weatherproof, as well as dust and water resistant meaning that you can rely on it for for those extreme shots that perhaps previously you had reservations about. With the X-T1, there is little to worry about. It’s in it for the long haul, and it wants you to push it as far as you can.
Overall, it’s easy to get daunted by the amount of things there are to get your head around with a camera like this. But the customisable functions are easy to use, and you have the option of setting them to a variety of different functions. The camera also comes with built-in Wi-Fi and the camera can be operated remotely, which is perfect for transferring pictures back to the office whilst you’re away traveling.
Panasonic’s Lumix is one of those small but tough, resilient cookies that we come across now and then in life. It’s certainly not the biggest, and it may not look the toughest – but in this case, looks are deceiving. It’s waterproof, shockproof, freeze proof, and can resist pressure of up to 100kgf. It can be dropped from a height of around 2.0 metres without damage being inflicted, and it can be used in temperatures that dive to around -10 degrees Celsius. Coupled with its compact size and its lightness – it weighs 186 g – it makes an ideal companion for travel photographers who need something sturdy by their side that won’t let them down.
But this doesn’t mean that Panasonic have neglected image quality or overall performance. Using the same technology as found in their Lumix G System camera, Panasonic have implemented a lightning fast Autofocus – 0.1 seconds. We know how important fast focus is to outdoors photographers, and combined with the ability to shoot at 10 fps, the Lumix gives you every chance to crisply catch that breathtaking photograph that has otherwise long evaded you.
Travel photographers have more excitement than, say, studio photographers. They get the chance to go to photograph snow-covered glaciers, to swim underwater, and to capture animals in the wild during their most intimate moments. To get closer to the action, and to make sure that you never miss a moment, Panasonic have made the perfect compact digital camera that combines a tough shell with amazing end results. The Lumix comes with an image stabilisation that is bolstered by Power O.I.S, which effectively means that you will have around twice less blur than ever before.
Moreover, a lot of travel photographers will probably cycle to and from locations, and as such there will be a lot of bumps and bashes along the way, particularly in woodlands or off-the-beaten track roads. This can cause damage to your camera equipment. Not only this, but when cycling to a location, it’s never advisable to take along a hefty DSLR that will only weigh you down. The Lumix is compact and lightweight, and yet can also withstand being bashed around a little bit. For this reason, it doesn’t hold you back from taking exciting, daring journeys into unchartered destinations – rather, it encourages it!
The Lumix also provides 3D shooting mode, as well as 50P full HD video mode, which is complemented by stereo sound recording. You also get an LED video light that comes with a torch, which proves useful when shooting at night. It comes with built-in Wi Fi and can be used remotely, which is ideal for transferring images and footage.
Sony’s Alpha a6000 see’s an improvement in megapixels – there are 24.3, more than most DSLRs – and speed, but there is a little compromise with the viewfinder – it’s simply not as good as its predecessor on the NEX-6. But this is nitpicking because, overall, the a6000 is a vast improvement on previous models, and the money spent on improving the resolution and speed – it’s claimed to be the world’s fastest at autofocusing for an interchangeable lens camera – has come at a bit of a cost on the viewfinder front. But it’s really not an issue – or, at least, shouldn’t be. The OLED Electronic Viewfinder is still highly capable and provides you with the opportunity to review your camera settings and alter your effects before going for the perfect shot.
Such is the evolution of technology that compact cameras are now able to churn out the kinds of amazing images that, previously, we may have thought was impossible. In this respect, the a6000 holds its own with the competition. But to get the best out of it, to maximise its potential and make use of its full, dynamic range, it’s advisable to delve into the multitude of controls that it has to offer. For the pro photographer, the full spectrum of DSLR options available will be par-the-course, whilst for the amateur, it all might seem a little daunting. But Sony have really pushed the boat out here, and they are encouraging you to learn and grow as a photographer, and, by taking the bull by the horns, by delving into what this compact machine has to offer, you will truly feel rewarded. It aims to turn the amateur into a pro.
Once you understand the options and where all the controls are, using them will become a habit. This will make taking photographs in stunning locations more joyful than ever. Rather than grow frustrated at having to spend time fine tuning your camera, wading through menu after menu, you will be able to effortlessly switch between an array of options, from aperture, to shutter, to bracketed and so on. Your photographs will come to life, and travel photography will have never seemed better. The Sony a6000 is here to assist your performance and experience. And with the ability to shoot at 11 frames per second, you’ll rarely miss a moment.
Sony’s NEX-7 won Camera of the Year in 2011, and the a6000 enjoys 20% higher sensitivity that allows it to shoot brilliantly in low light. So instead of calling it a day when the sun begins to set, you can now capture breathtakingly detailed photographs that are also boosted by a pop-up flash accessory. The product also comes with Eye AF control, which is provides accurate eye detection. This means that all the camera needs is a single pupil within its range before it can sharply focus faces.